<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>Florence on Timey.org</title>
    <link>https://timey.org/tags/florence/</link>
    <description>Recent content in Florence on Timey.org</description>
    <generator>Hugo</generator>
    <language>en-us</language>
    <lastBuildDate>Thu, 10 Sep 2026 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://timey.org/tags/florence/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Bandinelli&#39;s Hercules and Cacus: It Looks Like a Forced Sexual Act Prelude</title>
      <link>https://timey.org/bandinellis-hercules-and-cacus-it-looks-like-a-forced-sexual-act-prelude/</link>
      <pubDate>Thu, 10 Sep 2026 00:00:00 +0000</pubDate>
      <guid>https://timey.org/bandinellis-hercules-and-cacus-it-looks-like-a-forced-sexual-act-prelude/</guid>
      <description>Stand under Baccio Bandinelli&amp;rsquo;s Hercules and Cacus in Piazza della Signoria and look up. Hercules has a fistful of Cacus&amp;rsquo;s hair. Cacus is down on one knee, face tipped upward, parked right at Hercules&amp;rsquo;s hip with his mouth half open. From below, the two heads and Hercules&amp;rsquo;s genitals stack into a single vertical line. My first thought wasn&amp;rsquo;t triumph. It looked like the moment before a forced sex act.&#xA;I don&amp;rsquo;t think that&amp;rsquo;s a dirty mind at work.</description>
    </item>
    <item>
      <title>Michelangelo&#39;s David at Palazzo Vecchio Is a Copy: Why Florence Keeps It There</title>
      <link>https://timey.org/michelangelos-david-at-palazzo-vecchio-is-a-copy-why-florence-keeps-it-there/</link>
      <pubDate>Sat, 15 Aug 2026 00:00:00 +0000</pubDate>
      <guid>https://timey.org/michelangelos-david-at-palazzo-vecchio-is-a-copy-why-florence-keeps-it-there/</guid>
      <description>The marble standing at the door of Palazzo Vecchio has been there since 1910, and most of the people photographing it have no idea. Michelangelo&amp;rsquo;s David left the square in 1873, moved on rails through the streets to the Galleria dell&amp;rsquo;Accademia, where it now stands under a purpose-built skylight at the end of a ticketed queue. What replaced it is a copy by Luigi Arrighetti, set in the exact spot the original held for 369 years.</description>
    </item>
  </channel>
</rss>
